Box Office by the Numbers: ‘Think Like a Man Too’ Beats ‘22 Jump Street’ by a Nose
$30 million: Domestic amount earned by Think Like a Man Too. 2012’s Think Like a Man opened to $33.6 million and also swept its premiere weekend. Think Like a Man Too won despite playing at 1,100 fewer theaters than the second-place 22 Jump Street and 2,000 fewer theaters than the third-place How to Train Your Dragon 2. (Both those sequels debuted last weekend.)
4: Movies starring Kevin Hart released in the past six months.
3: Movies starring Kevin Hart released in the past six months that debuted at no. 1 (Think Like a Man Too, January’s surprise hit Ride Along) or no. 2 (February’s About Last Night). (Bonus! Number of those films directed by Tim Story: two — Ride Along and Think Like a Man Too.) Grudge Match was an exception to Hart’s hot streak, debuting at no. 11 over the post-Christmas weekend, earning just $7 million in 2,800 theaters.
7: Upcoming Kevin Hart releases listed on IMDb. Seven! The trailer for the next release on Hart’s timeline, The Wedding Ringer, debuted last week.
$29 million: American total for 22 Jump Street on its second weekend. Now’s a good time to be open about how, on Sunday night and Monday morning, all box-office totals are actually educated guesses. With a tight $1 million gap between 22 Jump Street and Think Like a Man Too, there’s a good chance that, come later today, when the actual totals roll in, 22 Jump Street might’ve won two straight weekends. Meanwhile, 22 Jump Street is less than a half million away from an international total of $150 million.
39 percent: Overall box-office dip from the same weekend in 2013, when Man of Steel, World War Z, and Monsters University were all playing.
$25.3 million: Amount snatched Stateside by How to Train Your Dragon 2. It fell 49 percent from Weekend 1, which is identical to 22 Jump Street’s fall. Worldwide, Toothless’s second go-round is sitting on $171.5 million.
20 million: Estimated number of weekend conversations that went: “It’s a musical? By Clint Eastwood? And who’s it about again?”
$13.5 million: Amount subsequently earned by Eastwood’s Broadway adaptation Jersey Boys. Box Office Mojo notes that it’s a worse showing than 2012’s Rock of Ages (also a Broadway movie, debuted to $14.4 million), but better than Eastwood’s last three movies as director — J. Edgar, Hereafter, and Invictus — which all opened beneath $12.1 million. Jersey Boys is Eastwood’s fourth-best opener as director; 2000’s Space Cowboys, at $18.1 million, was his best.
71: Percentage of Jersey Boys audience over the age of 50. The olds still love you, Clint/Frankie Valli!
$13 million: Amount Maleficent added to its domestic total. Angelina Jolie’s first live-action film in four years is tracking to earn more than $215 million, which would put it ahead of both The Amazing Spider-Man 2 and Godzilla. Maleficent won the international box office over the weekend with $44.7 million, bringing it to $521.6 million worldwide. That means 2005’s Mr. & Mrs. Smith, with its $478.2 million, is now Jolie’s second-biggest movie of all time. We have entered the age of Maleficent.
$700 million: Amount X-Men: Days of Future Past will have earned around the world by next week. All it has to do is pass Captain America: The Winter Soldier’s $711 million to become the year’s biggest movie.
4: Days until Transformers: Age of Extinction stomps all over Days of Future Past, Winter Soldier, Maleficent, and every other 2014 release that called itself a “big success.”
5: Weeks Jon Favreau’s Chef has hung in the top 10, oscillating between ninth and 10th place. The indie added $1.8 million this weekend for a total of $16.9 million.
$292.8 million: Tom Cruise’s worldwide Edge of Tomorrow gross, which helps cover up the embarrassing showing it’s had in America. ($74.5 million in three weeks, just $10.3 million this past weekend.)
$8.6 million: Domestic weekend intake for The Fault in Our Stars, the only film to fall more precipitously through the ranks than Edge of Tomorrow. Still, its $98.7 million total is much higher, it won its debut weekend, and its budget was $166 million less than Edge’s.
TOP 10 [via Box Office Mojo]
1. Think Like a Man Too: $30 million (opening weekend)
2. 22 Jump Street: $29 million ($111.45 million U.S. cumulative; Week 2; previous ranking: no. 1)
3. How to Train Your Dragon 2: $25.3 million ($95.2 million U.S. cumulative; Week 2; previous ranking: no. 2)
4. Jersey Boys: $13.5 million (opening weekend)
5. Maleficent: $13 million ($186 million U.S. cumulative; Week 4; previous ranking: no. 3)
6. Edge of Tomorrow: $10.3 million ($74.5 million U.S. cumulative; Week 3; previous ranking: no. 4)
7. The Fault in Our Stars: $8.6 million ($98.7 million U.S. cumulative; Week 3; previous ranking: no. 5)
8. X-Men: Days of Future Past: $6.2 million ($216.8 million U.S. cumulative; Week 5; previous ranking: no. 6)
9. Chef: $1.8 million ($16.9 million U.S. cumulative; Week 7; previous ranking: no. 10)
10. Godzilla: $1.8 million ($194.9 million U.S. cumulative; Week 6; previous ranking: no. 7)
Filed Under: Box office, box office by the numbers, Movies, 22 jump street, think like a man too, Kevin Hart, how to train your dragon 2, Clint Eastwood, tim story, jersey boys, maleficent, the fault in our stars, edge of tomorrow, Tom Cruise, Angelina Jolie, Jon Favreau, chef, X-Men: Days of Future Past
‘TURN DOWN FOR VOTES,’ Scream Cool Celebrities in Perfect Video
John Cusack and Cameron Crowe Are Battling NBC’s ‘Say Anything’ TV Show One Tweet at a Time
Jerry Seinfeld Wins Advertising Award, Rips Industry to Shreds
The ‘Better Call Saul’ Music Video Is Weird; Does It Say Anything About the Actual Show?
Watch Kendrick Lamar Do ‘i’ Live, Give Everyone Their Weekly Pep Talk
More Box office
Weekend Box Office Winners & Losers: Bill Murray, Vin Diesel, Steve Jobs, and Jem All Go Down in Spectacular Flames
Weekend Box Office Winners & Losers: Jack Black Scares Off Matt Damon
Weekend Box Office Winners & Losers: ‘Pan’ Dies on Mars
Weekend Box Office Winners & Losers: We’re Saving Matt Damon
Weekend Box Office Winners & Losers: Adam Sandler (Well, His Voice) Sets a September Record
More Hollywood Prospectus
Brand Echh: Sandra Bullock and Billy Bob Thornton Can’t Save the Lame ‘Our Brand Is Crisis’
50 Scenes That Do Not Appear in the Fox ‘X-Files’ Revival
In Praise of Beach Slang, 2015’s Best, Most Sincere Rock Band
Who Was Missing From Taylor Swift’s Miami Squad?
Happy ‘Halloween’: The Best Horror-Movie Monsters