Posts by Wesley Morris
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Sportstorialist: The NBA Needs to Stop Its Latest Uniform Experiment
The quiet shudder that made its way around the NBA a couple weeks ago had something to do with a uniform tweak. The league unveiled sleeved jerseys and announced its lab rats would be the Golden State Warriors. Debuting this occasional experiment on these particular guys was both a punishment and ontological bad luck: They […]
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Oscars 2013: Who Will Win?
The rise of Argo, the fall of Bigelow, and how to win your Academy Awards pool.
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Snitch: The Rise of the Action Tragedy
There’s a moment in Snitch that, if the world were different, you’d probably miss. But given all the talking we’ve been doing about guns, it stands out. Dwayne Johnson stands in the middle of an ammo shop. The camera spins around him the way cameras do when they want to convey a sense of being […]
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In Defense of Roberto Benigni’s Oscar Freakout. (Yes. Defense.)
Roberto Benigni’s pair of over-caffeinated acceptance speeches from 1999 didn’t survive the first round of Grantland’s Oscar Travesty bracket. It lost to The King’s Speech’s stealing what the cool, the young, the Fincher-besotted believe was The Social Network’s best picture Oscar. It is the greater travesty since Benigni’s wins for foreign-language film and actor constitute […]
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Die! Die! Die! Die! Die!
Yeah, so the new John McClane joint ain’t so hot. Plus: The rest of the week in movies.
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The Splendiferousness of Walt Frazier
The signature style of the man they call “Clyde”.
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Dr. Feelbad
Steven Soderbergh’s Side Effects is a quiet bummer — but that’s nothing compared to the problems with Identity Thief‘s Melissa McCarthy.
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Bow Down to the Queen: Notes on Beyoncé’s Halftime Show
It’s possible we’ve been living with amateurism and aspiration for so long that when an artist achieves honest-to-God perfection we catch the Holy Ghost. BeyoncĂ© did that to America last night. She took live spectacle to the highest power, maybe even further given the time we as a nation spend dissecting mediocrity and rubbernecking at […]
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Bullet to the Head: Those Late-Period Sylvester Stallone Blues
You could empty a bottle of Zoloft being sad about Bullet to the Head. It was directed and cowritten by the man who made The Driver, The Warriors, 48 Hours, and Trespass, and who either cowrote or coproduced the entire Alien series — Walter Hill. It misses being John Woo’s Bullet in the Head by […]
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30 Rock Landed on Us
Identity politics and NBC’s most subversive show.