The State of Scary TV

‘The Returned’ and ‘Ash vs Evil Dead’ join ‘The Walking Dead’ in offering high-quality horror.

February 16, 2015

TV Check-In: ‘Girls’ Is More Than Just Acting Its Age in Its Fourth Season

Sunday night’s ‘Sit-In’ was a recent creative peak for the show.

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Oscars Predictions, Part 1: The Sound Categories

The first installment of our annual series attempting to predict the winners of the most unpredictable Academy Award categories.

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‘Rembert Explains’ Podcast: Pablo Torre

Pablo Torre joins Rembert to consider whether NYC is a good fit for NBA All-Star weekend, discuss the embarrassing personal nuggets hiding on Google’s servers, and more.

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February 13, 2015

‘The Grantland Oscar Preview’: Assigning Sports Doppelgängers

Bill Simmons, Wesley Morris, and Chris Connelly assign sports doppelgängers to Oscar nominees. Is Bill Belichick’s career more like David Fincher’s or Jim Cameron’s?

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Thought Experiment: What If Kanye Had Never Interrupted Taylor Swift?

We never get Nicki Minaj’s verse on “Monster,” for one thing.

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‘The Grantland Oscar Preview’: Reviewing Prop Bets

Bill Simmons, Wesley Morris, and Chris Connelly review prop bets submitted by Grantland gambling guru Cousin Sal.

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Oscar Second Opinion: 2014 Was a Bad Year for Actresses, Unless You Were in ‘Gone Girl’

It’s Rosamund Pike’s show, but all the female characters in David Fincher’s movie shine.

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Songs of the Week: I Want to Dance on a Disco Ball

Minotaur men? David Lynch red velvet curtains? I’ll take it!

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Rough Trade: The Kinky Absurdity of ‘Fifty Shades of Grey’ Merchandise

When a man proudly tells you that he’s missing a heart, all the butt plugs in the world will not change him.

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Lowbrow Highlights: Showdown in the Badlands on ‘The Bachelor’

Plus, Scheana’s wack wedding dress on ‘Vanderpump Rules,’ and Jacoby breaks down the midseason power rankings for ‘The Challenge.’

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Clint’s Cause: The Case for ‘American Sniper’

One version of America is stubbornly rising, another got lost in the wastes of Iraq, and that’s why Ava DuVernay’s ‘Selma’ and Eastwood’s film bookend each other better than you’d think.

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