Posts by Wesley Morris
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Whose Fault Is This? Learning to Like the Mega-quakes in ‘San Andreas’ and the Sloppiness of ‘Aloha’
Aloha Means Run for Your Life: ‘San Andreas’ and Cameron Crowe’s new romantic dramedy.
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Cannes Diary, the Last Weekend: The Closing Ceremony and Michael Fassbender As Macbeth
The final dispatch from Cannes: A bloody senseless Macbeth, and the jury’s decisions.
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‘Do You Like Prince Movies?’ Podcast: Wesley and Alex Catch Up
Wesley is back from Cannes, ‘Mad Men’ is still over, and we’re all figuring out what to do with our lives from here on out.
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Grantland Summer Movie Preview: ‘Adult Movies’
Grantland’s Bill Simmons, Wesley Morris, and Chris Connelly break down the summer’s “adult” films to decide whether they’re worth watching on a date, at home on demand, or not at all! Films include ‘Southpaw,’ ‘Dope,’ ‘Irrational Man,’ ‘Love & Mercy,’ ‘Infinitely Polar Bear,’ and more.
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Grantland Summer Movie Preview: ‘Summer Movie Confessions’
Grantland’s Bill Simmons, Wesley Morris, and Chris Connelly reveal some of their deepest and darkest summer movie secrets.
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Cannes Diary, Day 9: Seriously? Vengeance, Depardieu, and Huppert
Cannes Diary, Day 9: Sentimentality set on fire, and grief that goes nowhere.
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Cannes Diary, Day 8: The Attire Problem, a Very Good Michael Caine Comedy, and the Festival’s Best American Movie
Cannes Diary, Day 8: Looking at ourselves.
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Grantland Summer Movie Preview: ‘The Group of Death’
Some of this summer’s most anticipated movies will premiere simultaneously, creating an intense rivalry for box office supremacy! Grantland’s Bill Simmons, Wesley Morris, and Chris Connelly look at which summer movies will be matched up and try to predict which ones will win the weekend. Rivalries include ‘Mad Max: Fury Road’ vs. ‘Pitch Perfect 2,’ ‘Trainwreck’ vs. ‘Ant-Man,’ and ‘Fantastic Four’ vs. ‘Masterminds.’
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Cannes Diary, Day 7: Emily Blunt Is Bad at the FBI, and Your Cannes Jury
Cannes Diary, Day 7: Blunt abuses, and one of the best competition films so far.
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Cannes Diary, Day 6: Shaken and Stirred
The loopy emotions of Pixar; the rugged humanity of Vincent Lindon; plus, the return of a Thai master.
